American Dream Resources And Competency Are Recipes For...

American Dream: Resources and Competency are Recipes for Success American Dream as defined by Merriam-Webster online as â€Å"an American social ideal that stresses egalitarianism and especially material prosperity.† What is the American Dream to you? Is it having a stable and a high-paying job? How about owning a beautiful house, car, and bank account? Perhaps, your definition of the American Dream is being the founder and owner of a multi-billion dollar business empire that has businesses in every state? Every American across the country has a different interpretation of what is the American Dream for them. Regardless of what version of the American Dream, achieving this dream is like chasing the impossible. I did not say you cannot achieve them, unless, you have the resources; money, plan, and support, and the person’s competency; skills, knowledge, and attitude, your chance of succeeding the American Dream are within reach. These aforementioned are the recipes need ed in pursuing the American Dream. So, we can say the American Dream may be impossible, but attainable with the help of the recipes mentioned. Here is why? First, we need resources to keep track with our goals: the American Dream. Why do we need the resources in realizing this American Dream? Attaining your dream of a stable and a high-paying job does not magically happen by itself. You need money to finish your education, either your goal is to finish bachelors, masters or doctorate degrees. Whether you get itShow MoreRelatedResearch Report About Culinary Arts1593 Words   |  7 Pagesthe art of American cooking as well as preparing the students to pass on their knowledge to others in turn. The first cookbook ever written was by Fannie Merrit Farmer in 1896 who also attended the Boston cooking school and whose book is still used as reference even today. The next step in the history of culinary arts was taken through the television where in 1946 James Beard held regular cooking classes on the art of American cooking who is also known as the grandfather of the American cuisine. TheRead MoreWord2404 Words   |  10 PagesJollibee Foods Corporation International Expansion Case Analysis Jollibee built its core brand on a selection of key criteria (core competencies) to ensure that they would succeed in a highly competitive fast food environment. Jollibee Foods Corp (JFC) business operations catered to Filipinos eating habits such as satisfying their palettes with spicy hamburgers. JFC store fronts were also designed to be friendly and inviting; a comfort zone where families could gather to enjoy a selection ofRead MoreCadbury and International Business5868 Words   |  24 PagesBackground 4 Dealing with Globalization 6 Overall Culture 8 International Trade Operations 10 Strategy and the Firm 11 Value Chain Activities 15 Primary Activities 15 Support activities 17 Value creation 18 Location Economies 19 Core Competency 20 Organizational Architecture 21 Organizational Architecture 21 Corporate Culture 21 Structure 23 People 27 Incentives and Controls 29 Competition, Strategy and Structure 30 Organizational Change 31 Entry Strategy and StrategicRead MoreStrategic Management20602 Words   |  83 PagesPics/Corbis Strategic Management Inputs Strategic Management and Strategic Competitiveness, 2 The External Environment: Opportunities, Threats, Industry Competition, and Competitor Analysis, 32 The Internal Organization: Resources, Capabilities, Core Competencies, and Competitive Advantages, 68 Strategic Management and Strategic Competitiveness Studying this chapter should provide you with the strategic management knowledge needed to: 1. 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Marketing, RD, manufacturing, and other activities comprise a firm’s value chain; firms configure activities to create superior customer value on a global basis. Global companiesRead MoreConvergence, Divergence or Middle of the Path: Hrm Model6579 Words   |  27 PagesConvergence, Divergence or Middle of the Path: HRM Model for Oman Sami A. Khan Sultan Qaboos University, Oman The role of human resource management function is at the crossroad, and on the one hand it is facing the crisis whereas there also exists an unprecedented opportunity to redefine and refocus the HRM function to leverage its credibility in organization. In Oman, HRM is in its infancy and there is a need to strengthen its discourse and learning. The present paper attempts to understandRead MoreStrategic Management at Starbucks14676 Words   |  59 PagesRomania – Location and American Fame 31 CHAPTER 8 32 Strategy Evaluation and Recommendations 32 Conclusions 35 References 36 CHAPTER 1 Introduction Starbucks is the largest coffeehouse company in the world, with 18.887 stores in 55 countries. In Romania, Starbucks can be found in Bucharest (having 6 stores), in Cluj (one store) and in Timisoara (one store). (Starbucks Romania, 2012) We have chosen this company based on the impressive success that the company hasRead MoreCosmetic Industry Analysis28098 Words   |  113 Pages the weak economy of US has forced beauty store department sales drop another 2% from 2003 levels and even though offering on those high-end products, but in the end a 4.5% dollar sales decline at September, 2009 (Chain, 2010). In addition North American L’Oreal, French cosmetics giant industry sales were down 5.7% year over year during the September, 2008 as some distributors cut back on purchasing. Some more, New York beauty company Avon’s third-quarter revenue in North America slipped 3% (AndrewRead MoreSuccessful Start-Ups Key Success Factors37688 Words   |  151 PagesSuccessful Start-ups Key Success Factors A study of the Fast Growing Firms by Bertrand Brillois Avdelning, Institution Division, Department Datum Date 2000-06-02 Ekonomiska Institutionen 581 83 LINKÃâ€"PING Sprà ¥k Language Svenska/Swedish X Engelska/English Rapporttyp Report category Licentiatavhandling Examensarbete C-uppsats X D-uppsats Ãâ€"vrig rapport ____ ISBN ISRN Internationella ekonomprogrammet 2000/36 Serietitel och serienummer Title of series, numbering ISSN URL fà ¶r elektronisk

Endoplasmic Reticulum Free Essays

The primary purpose of this research paper is to find out whether the endoplasmic reticulum in the eggs of animals undergoes any structural or morphological changes during fertilization. The experiment studies this phenomenon by microinjecting a dye in unfertilized egg and then visualized using a confocal microscope to detect any alterations in structure. Eventually, this paper tries to explain the role played by the endoplasmic reticulum in fertilization. We will write a custom essay sample on Endoplasmic Reticulum or any similar topic only for you Order Now The research question that is being tested in this paper was about the Endoplasmic reticulum and how it plays a role in the fertilization which can be evidenced by structural changes that taking place during the fertilization process. The most important aspect of this experiment in the paper is the microinjection of eggs with soya beans oil saturated with DiI solution which enables visualization of the endoplasmic reticulum using the confocal microscope. The dye then spreads through the ER only in 30 minutes during which the cisternae and tubules of the ER can be identified. This method of staining is also utilized to stain the plasma membrane which is also a bilayer membrane. This experiment, therefore, teaches that the ER is a complex organelle, bilayer membrane with lipophilic layers.The weakness of this paper shows the changes in calcium levels in the fertilized eggs of Sea Urchin during the first few minutes when ER structural changes are thought to take place. The ER has an internal compartment that is involved in regulation of calcium. There is evidence that calcium is produced during fertilization. Is this calcium from the ER? Does calcium generation cause the structural changes in ER? These questions have not been answered by this research paper. Also, the control experiment for this would include a repeat of the tests under similar temperature conditions as previously conducted research experiments to compare the calcium levels. If this was my experiment, I would conduct similar research (ER changes) on large mammal animal models using unfertilized eggs incubated and fertilized at room and atmospheric temperature (conditions). How to cite Endoplasmic Reticulum, Papers

Dance Elements free essay sample

Literal meaning of the word kathak is related to katha, the art of story-telling, â€Å"Katha Kahe So Kathaka Kahave†, which means â€Å"one who tells a story is a story-teller†. According to M. Monier Williams, Katha denotes conversation, story, speech, tale or fable. Katha also means to ‘ sing in praise’, ‘to say or inform something’. Thus, kathakars were originally a caste of story-tellers who were attached to temples in certain parts of Northern India. These kathakars used to go around the countryside narrating the stories of the Epics and other Legends. The modes employed were poetry, music and dance. All these three arts were closely inter-linked. The aim of kathaks was to educate the people in the knowledge of Gods and Mythological Legends. Historically kathak dates back to the Vedic period which are full of descriptions and stories which give us an insight into the mind of those who wrote or composed jthem. Kathak dance is evolved from religious and mythological concepts. In Ramayana period, we can see many glimpses of music and dance. The Ramayana tells the story of an ideal heroic prince Rama of Ayodhya and his devoted wife Sita. This ancient tale has been treasured and retold for countless generation in every Hindu house; they worshipped Rama as the seventh incarnation of Lord Vishnu. In Ramayana we find a mention of recitors who were specialised in story-telling. Lava and Kusha, the two brave sons of Rama rendered Ramayana in verses composed by Sage Valmiki. While reciting the stories, they also added the element of acting-Abhinaya. From that time nomadic bards who narrated the Ramayana were known as ‘Kushilavas’. As a matter of fact, the term kushilavas has been associated with dancers and actors. Likewise, many mythological stories were depicted through gestures, postures and abhinaya. The another story of Ramayana which tells us that how Ravana, the king of Lanka worshipped Lord Shiva with song and dance. Also the story of Ravana assaulting Rambha, one of the main Apsaras. According to Kapila Vatsyayan, in Ramayana, the Apsaras are the most important mythological characters who danced and performed both in heaven and earth. There are various other instances like the stories of the grand act of breaking Shiva’s bow in â€Å"Sita Swayamvar†, the evil plotting of Kaikayee, the Banishment of Rama to a fourteen-year exile, Sita’s kidnapping by Ravana and the war that ensued leading to Rama’s victory and Sita’s rescue. Thus, Ramayana is rich in incident and moral concept. We come across many references to perfomances of dances from the Mahabharata. In this period, worship and adoration of Bramha, Vishnu and Mahesh started with music and dance. Krishna is the ‘Sutradhara’ (around whom the entire Mahabharata developed) and he was an expert dancer. The Mahabharata depicts episodes of Krishna’s life that how he is adopted and raised by a family of cowherds. The stories of his childhood of stealing butter and milkmaids known as â€Å"MakhanChori†. His dance of his youth with Radha and Braj narees is known as â€Å"Rasa Lila†. His spiritual love dance with Gopis or Milkmaids by the bank of Yamuna river in moonlit night is known as â€Å"MahaRaas†. The story of â€Å"Kaliya Daman† which tells us how Krishna defeated the poisonous snake Kaliya and danced on his hoods. The story of â€Å"Govardhan Dharan† which tells us how krishna picked and hold the Govardhan mountain to protect the people of Vrindavan from heavy rain. Another important episode of Mahabharata is known as â€Å"Vastraharan†, in which Krishna saves the honour of the Pandava Queen Draupadi. The story goes that Dushasana, one of the Kaurava brothers attempted to humilate her by disrobing her. Draupadi called out to Krishna to save her and miraculously, as layer after layer of her saree was pulled, the number of sarees went on increasing. This episode is a popular theme in Kathak dance. Mahabharata also depicts the story of the five Pandava brothers who were unjustly deprived of their kingdom by their cousins, the kauravas, and of the great battle of Kurukshetra that established the victory of the Pandavas after much suffering and bloodshed. The Mahabharata also describes Krishna’s role as the Charioteer of Arjuna during the battle of Kurukshetra, and his conversation on the battlefield constitutes the text of the Bhagavad-Gita, the celebrated philosophical work. Thus, it is clear that by the time of Mahabharata, the arts of music and dance developed sufficient content, form, style to be taught in a systematic order. The training also seems to be elaborate with rules and regulations. Natyashastra is an encyclopedic work having 36 chapters and it deals with various topics such as the first 3 chapters deal with the origin of Natya, construction of theatre, Rangapooja, etc. , 4th and 5th chapters deal with the varieties of Dance. The 6th and 7th deal with Rasa and Bhava. From the 8th chapter of the 15th one, the different poses of Dance are being dealt with. The different aspects of Abhinaya are described in 15 to 22 and from 22nd to 28th describe the costumes elaborately. The chapters from 28th to 34 deal with music and musical instruments and the last two deal with the different characters and costumes. Natyashastra also describes the divine character and dance of the Nataraja, the dancing Lord Shiva who is considered the king of actors and dancers and also the supreme Lord of Dance. The moon which he adorns in his head is the symbol complete control of his senses. The serpents wound around his body is the proof of his complete control over vital life forces. His foot raised high over the wicked demon, a symbol of victory over the ego. This divine art form is performed by Shiva and his wife Goddess Parvati. The Dance performed Lord Shiva is known as â€Å"Tandava†, which depicts his violent nature as the destructor of the Universe. The Dance performed by Goddess Parvati is known as â€Å"Lasya†, in which the movements are gentle, graceful, erotic and it is also called the feminine version of Tandava. Therefore, according to Kapila Vatsyayan, Bharata attributes to dancing a divine origin, a literary and religious heritage both in thought and technique and aesthetic secular purpose. It has also been mentioned in Natyashastra, how to interpret the different moods of man accompanied by Bhava, Raga and Tal – all directed to create rasa or emotion in the spectators who are called â€Å"Rasikaas†. From the 7th and 8th century, â€Å"Sangeet† occupied a prominent place in the society. The art of sculptures also made great strides and most of the sculptures depicted various dance poses. Temples were the places of origin whereas the dancers or the priests danced in praise of the Lord enacting various mythological stories. Temples sprang up where the devotees gathered to pray to the Almighty God or hear stories about Him. The Temple connection is well established as can be seen in the art of â€Å"Kathavachakas† who carry on the tradition to this day in the North in the Temple boundaries and in open spaces. With the passage of time, in the medieval period, the Bhakti movement influenced all over India. The vast spiritual empire established by Vaishnavism in the North embraces life in its totality. The fine arts found a fuller expression by the 15th and the 16th centuries A. D. Literature, music, dance, painting and other fine arts flourished with the patronage extended by the temples, priests and devotees. In particular the Rasa Lilas in Braj and the neighbouring areas of Mathura in the North sustained the tradition that centered round Vishnu and his recognization as Krishna. The Bhakti movement inspired a whole new school of poetry, dance and music. Krishna and radha are the presiding deities of Vaishnavism and it was on the basis of Leelas of Krishna that precious and distinctive art heritage of Vaishnavism was built up. Mirabai, Surdas and Tulsidas for e. g. wrote powerful devotional verses on longing and separation, expressing the yearning of the human soul for union with God. They chosen the themes was the love of radha for krishna. Krishna Leela though brought out in high relief by Vaishnavism but it had its origin in the past and it can be traced easily to the periods of Mahabharata and Bhasa. In Braj, the Rasa lila’s developed as a combination of music, dance and narration that was used to enact the Krishna Legends – especially the Radha-Krishna idea and stories of Krishna’s youth with the gopis or milkmaids. Hence, the earliest compositions in kathak were based on the religious and stylised music of North India, notably the Dhrupad, Keertan, Hori, Dhamar, Pad and Bhajan. According to Mohan Khokar, Keertans are similar style to dhrupad, but they may, unlike the latter, also be sung in chorus. Keertan is a spiritual practice belonging to the path of Bhakti (devotion). Keertan more specifically means the chanting of sacred sounds or mantras. The Rasa Lila miracle plays of Braj were formerly staged to the accompaniment of keertan music only. Keertans were meant both for singing and dancing. Whereas Bhajans are strictly devotional songs and are in praise of deities such as Krishna, Shiva, Rama, Ganesha, Durga, etc. The songs are rendered in ragas, but improvised tunes are also freely used. Stories and episodes from scriptures, the teachings of saints and description of Gods have all been the subject of Bhajan. Bhajans of Mirabai, Tulsidas, Surdas, Kabir, the Ashtachhap poets and other composers are a part of kathak repertoire. Some of the Famous Bhajans of Mirabai is the following: â€Å"Baso more nanun mein nandlal, Mor mukut makrakrit kundal, arun tilak diyo bhal, Mohni murat – saavari surat, naina bane bisaal, Adhar sudha – ras murli rajat, ur baijanti maal. Chhudra ghantika kati tat sobhit, nupur sabad rasaal, Mira’ prabhu santan sukhdai, bhagat – bachhal gopal† With the advent of the Mughals, the Hindustani music underwent a drastic change. The stylised music absorbed the Mughal influence in a remarkable manner. The dancers moved from the temple courtyard to the palace dubar and this necessitated changes in presentation as Muslim kings could not enjoy the bhava of Bhakti Rasa. Kathak received encouragement at the hands of Nawabs and Rajas. Whereas formerly it was religious and devotional in mood and temperament, now it turned into a means of entertainment. The forms like Thumri, Dadra, Ghazal evolved and became a part of the Hindustani music. The word â€Å"Thumri† has been derived from a combination of two terms i. e. ‘thumak’ (or the chaal) and ‘rijhana’ (or to please). Thus, together meaning graceful stamping of the foot. Thumri is a verse that has Krishna and Radha or Krishna and Gopi’s as its central theme. It is essentially based on the divine romance portraying both aspects of separation and union. The last Nawab of Oudh, Wajid Ali Shah was an accomplished dancer and musician. He composed thumries in classical style and these were sung by the kathak dancers. His contemporaries and the court musicians like Kadarpiya, Akhtar Piya, Lallan Piya, Sikandar Piya and others contributed to its popularity. Although he was a muslim, he liked the Radha-Krishna themes. He himself presented a dance on the Rasa Lila which he called ‘Rahas’. His famous thumries are the following: â€Å"Babul mora nehar chhuto jaye, Chaar kahar mil, doliya uthave, Apna begana chhuto jaye. † Another Thumri: â€Å"Jab chod chale lucknow nagri, Tab hale ‘ali’ par kya guzri, Mahal mahal mein begum rove, Jab hum guzre duniya guzri. † According to PeterLamarche Manuel, Bindadin Maharaj is regarded as one of the most important figures in the development of Thumri as well as Kathak. The kathak Masters Bindadin and his brother Kalka Prasad composed Thumries that were suitable for kathak dancing. Some of the famous Thumri of Bindadin Maharaj is the following: â€Å"Mohe chhedo na, nand ki suno challa, Badi der bhai, ghar jane de mohe.

The Use Of Perspective in The Blind Assassin Essay Sample free essay sample

The superb tapestry inThe Blind Assassinis authoritative Margaret Atwood. It is a story-within-a-story. a novel-within-a-novel interwoven in one attractively crafted literary piece. The narrative. set in fictional Ontario and Toronto towns in the 1930s and 1940s. is told in the position of the storyteller every bit good as position of history through newspaper cuttings. Initially. it seems that the secret plan is traveling to be told chiefly in a telegraphic manner through a series of newspaper cut-outs. With these. the reader is treated to a series of human deaths. First. is the tragic decease of Laura Chase who drove a auto off a span when she was merely 25 old ages old. Second. is the decease of Richard Griffen and so Aimee Griffen. 30 old ages subsequently. This twine of deceases is linked by one old woman—Iris Chase. the story’s storyteller. Iris is Laura’s sister. Richard’s married woman. and Aimee’s female parent. We will write a custom essay sample on The Use Of Perspective in The Blind Assassin Essay Sample or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Now in her 80s with a weak bosom get downing to neglect her. she writes about the fortunes of their deceases. The drawn-out narration is told in the first individual. through the position of Iris. Atwood uses Iris and newspaper cuttings to detail flashbacks. As Iris tells her narrative and those around her. the cuttings besides unveil the enigma that surrounds their decease. This is an effectual tool because as the enigmas grow midst. it becomes impossible to set the book down ( Richards. par. 2 ) . Atwood seems to be giving her readers unreciprocated inquiries and dramas with them. She uses Iris to give a sense of play and nostalgia and the cuttings to supply history that will back up these emotions. It is to the late Laura that the writing of the novel is attributed. with a posthumous publication day of the month of 1947 ( par. 6 ) . As Iris writes. it is Laura who touches people and non her. The narrative besides inside informations the love matter between a affluent adult female and a adult male concealing out from the jurisprudence. Their narrative is told in installments throughout the novel and in clip curiously emerges as a unusual metaphor for the lives outside of Iris’ and Laura’s. In this novel. it seems that Atwood treated her readers to at least two different universes: the universe of Iris told in historical item and the universe of phantasy of the fictional lovers. All of these interwoven in one novel makes Atwood’s secret plan dreadfully complicated and convoluted but Atwood effortlessly pull it off ( par. 10 ) . The Blind Assassinshow windows Atwood’s first-class narrative weaving powers. The dizzying start—drawing readers through decades-old flashbacks in the eyes of the storyteller and clippings—suddenly becomes eye-popping and so finally obliging. Atwood’s usage of the narrator’s position gives the narrative a human face. It provides readers with the emotions present in an event that are in fact decades-old. This first-person narrative efficaciously brings readers to that topographic point and that minute where the characters move. Through Iris’ position. all personas voices are heard. All of the personas’ narratives are told and given life. Through the narrator’s position. the complex narratives of the characters are besides given colour. Through Iris. Atwood creatively led her audience to events in history like the optimism in the 1920s. the hungriness and fright during the Great Depression and the political agitation during the late fortiess. Atwood. through Iris. besides gave the readers physical inside informations such as vesture and general manners of life during those times ( par. 8 ) . The newspaper cuttings. for their portion. gave readers a elaborate history environing the characters’ decease. It was these small cut-outs that unveiled the enigmas. Every now and so. the readers will acquire the feeling of â€Å"Oh†¦so that was how it happened. † The cuttings provided replies to inquiries like â€Å"why Iris feels a certain manner about how things turned out. † Even the transitions from the novel ( besides called The Blind Assassin ) that is included in Iris’ memories gave the readers metaphorical mentions. Atwood someway intertwined the lives of the fictional lovers with that of those in Iris’ circle. The novel was Atwood’s originative manner of stating a story-within-a-story. The Blind Assassin is like a show window of Atwood’s many literary techniques. There is history and snippings of poesy within one complex text. It’s like a small spot of the manners Atwood experimented with through the old ages ( par. 10 ) . The authoritative novel. to which Atwood gained a fabulous position as a literary mastermind. offered the heroic narrative of one household through different point of views and assorted angles. The novel that seemed cerebrally confounding at first was resolved through the lens of the cuttings. the fictional novel. and Iris—meaning through history. phantasy. and emotions. Atwood’sThe Blind Assassinis a masterpiece both in the criterions of workmanship and storytelling. The mosaic resulted to a breathtaking journey into the personas’ yesteryear and the absorbing disclosure of the enigmas that surround it. The diverse positions and points of positions Atwood utilised were attractively interwoven in one classical whole. The rhetorical device Atwood used madeThe Blind Assassinmore than merely another narrative of a household in the 1930s. Through this literary scheme. the novel became an insightful history into a tragic yesteryear and the painful journey towards doing sense of that yesteryear. Plants Cited: Richards. Linda. â€Å"Brilliant Tapestry. †January Magazine. ( Oct. 2000 ) . 8 Oct. 2007. lt ; hypertext transfer protocol: //januarymagazine. com/fiction/blindassassin. hypertext markup language gt ; .